MacKisack, M., Aldworth, S., Macpherson, F., Onians, J., Winlove, C., & Zeman, A. (2022). Plural Imagination: Diversity in Mind and Making. Art Journal, 81(3), 70–87
MacKisack, M. (2021) ’The art of Aphantasia: how ‘mind blind’ artists create without being able to visualise’. The Conversation.
MacKisack, M. (2019) ’Notes on an Aphantasic Artist’, Interalia Magazine
MacKisack, M. (2018) ‘From Inner Design to Extended Mind: the aphantasic artist in history’. Extreme Imagination – inside the mind’s eye. Exeter: Eye’s Mind Publications
MacKisack, M. (2016) ‘Ut Pictura Poesis and Differential Imagery Experience in the 18th-Century’, Interdisciplinary Science Reviews, vol. 41, no.4., 319-331
MacKisack, Matthew. "16. “Think, Pig!”: Modernist Art, Psychotherapy, and the Instrumentalization of Imagining." Modernism, Art, Therapy, edited by Suzanne Hudson and Tanya Sheehan, Yale University Press, 2024
MacKisack, M. (2020) ’Imagination as Instrument In Art, Science And Society’. ESPACE art actuel n° 126 (automne/fall 2020)
MacKisack, M. (2012) ‘The Polite Convention that Everyone Thinks’, in Quaresma, J., (ed) The Foresight of Alan Turing: Technological Simulations in Art and Science, Lisboa: CIEBA Ed.
Milton, F., Fulford, J., Dance, C., Gaddum, J., Heuerman-Williamson, B., Jones, K., MacKisack, M., Winlove, C., Zeman, A. (2020, September 4). ‘Behavioral and neural signatures of visual imagery vividness extremes: Aphantasia vs. Hyperphantasia’.
Adam Zeman, Fraser Milton, Sergio Della Sala, Michaela Dewar, Timothy Frayling, James Gaddum, Andrew Hattersley, Brittany Heuerman-Williamson, Kealan Jones, Matthew MacKisack, Crawford Winlove. ‘Phantasia–The psychological significance of lifelong visual imagery vividness extremes’. Cortex, Volume 130, 2020, Pages 426-440
Winlove, C., Milton, F., Ranson, J., Fulford, J., MacKisack, M., Macpherson, F., Zeman, A. (2018) ‘The neural correlates of visual imagery: a co-ordinate-based meta-analysis’. Cortex. Online 2 January. doi.org/10.1016/j.cortex.2017.12.014
MacKisack, M. (2017) ‘Painter and Scribe: from Model of Mind to Cognitive Strategy’. Cortex.. doi.org/10.1016/j.cortex.2017.11.018.
MacKisack, M. (2019) ’Aphantasic Artists: Extended Imagining?’, The Junkyard
MacKisack, M., Onians, J., Macpherson, F., Winlove, C., Zeman, A. (2016) ‘On Picturing a Candle: the Prehistory of Imagery Science’, Frontiers in Psychology. 7:515.
Mackisack, M., Reeder, R. (2022) ‘Manipulating light can induce psychedelic experiences – and scientists aren’t quite sure why’
Cao, Y., Onians J., MacKisack, M., Penny, N. (eds) Global Culture after Gombrich: Art, Mind, World. (forthoming 2024) Intellect Ltd
MacKisack, M., Aldworth, S. (eds.) (2018) Extreme Imagination – inside the mind’s eye. Exeter: Eye’s Mind Publications.
Zeman, A., Onians, J., MacKisack, M. (2018) ‘The Eye’s Mind – visual imagination, neuroscience and the humanities’. Cortex special issue. Volume 105
Ganzflicker (curated with Reshanne Reeder) part of Being Human Festival, 10-19th November 2022, The Atkinson, Southport, UK
Extreme Imagination – inside the mind’s eye (curated exhibition, with Susan Aldworth), 2019, Royal Albert Memorial Museum, Exeter, and Tramway, Glasgow (AHRC-funded)
Radiophonie: Medium as Metaphor (solo exhibition, curatorial project), 2014, KARST, Plymouth
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