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writing & research

On imagery vividness and art-making

On how imagining can be instrumentalised, and what that means for subjectivity

On how imagining can be instrumentalised, and what that means for subjectivity

 


MacKisack, M., Aldworth, S., Macpherson, F., Onians, J., Winlove, C., & Zeman, A. (2022). Plural Imagination: Diversity in Mind and Making. Art Journal, 81(3), 70–87 


 MacKisack, M. (2021) ’The art of Aphantasia: how ‘mind blind’ artists create without being able to visualise’. The Conversation. 


 MacKisack, M. (2019) ’Notes on an Aphantasic Artist’, Interalia Magazine 


 MacKisack, M. (2018) ‘From Inner Design to Extended Mind: the aphantasic artist in history’. Extreme Imagination – inside the mind’s eye. Exeter: Eye’s Mind Publications   


 MacKisack, M. (2016) ‘Ut Pictura Poesis and Differential Imagery Experience in the 18th-Century’, Interdisciplinary Science Reviews, vol. 41, no.4., 319-331  


On how imagining can be instrumentalised, and what that means for subjectivity

On how imagining can be instrumentalised, and what that means for subjectivity

On how imagining can be instrumentalised, and what that means for subjectivity

MacKisack, Matthew. "16. “Think, Pig!”: Modernist Art, Psychotherapy, and the Instrumentalization of Imagining." Modernism, Art, Therapy, edited by Suzanne Hudson and Tanya Sheehan, Yale University Press, 2024   


MacKisack, M. (2020) ’Imagination as Instrument In Art, Science And Society’. ESPACE art actuel n° 126 (automne/fall 2020) 


 MacKisack, M. (2012) ‘The Polite Convention that Everyone Thinks’, in Quaresma, J., (ed) The Foresight of Alan Turing: Technological Simulations in Art and Science, Lisboa: CIEBA Ed.  

Contributions to empirical work on imagery

On how imagining can be instrumentalised, and what that means for subjectivity

On the deep history of visual and verbal imagery

 Milton, F., Fulford, J., Dance, C., Gaddum, J., Heuerman-Williamson, B., Jones, K., MacKisack, M., Winlove, C., Zeman, A. (2020, September 4). ‘Behavioral and neural signatures of visual imagery vividness extremes: Aphantasia vs. Hyperphantasia’.  


 Adam Zeman, Fraser Milton, Sergio Della Sala, Michaela Dewar, Timothy Frayling, James Gaddum, Andrew Hattersley, Brittany Heuerman-Williamson, Kealan Jones, Matthew MacKisack, Crawford Winlove. ‘Phantasia–The psychological significance of lifelong visual imagery vividness extremes’. Cortex, Volume 130, 2020, Pages 426-440  


 Winlove, C., Milton, F., Ranson, J., Fulford, J., MacKisack, M., Macpherson, F., Zeman, A. (2018) ‘The neural correlates of visual imagery: a co-ordinate-based meta-analysis’. Cortex. Online 2 January. doi.org/10.1016/j.cortex.2017.12.014  


On the deep history of visual and verbal imagery

On the deep history of visual and verbal imagery

On the deep history of visual and verbal imagery

 

 MacKisack, M. (2017) ‘Painter and Scribe: from Model of Mind to Cognitive Strategy’. Cortex.. doi.org/10.1016/j.cortex.2017.11.018.   

 


On aphantasic imagining and extended cognition

On the deep history of visual and verbal imagery

On aphantasic imagining and extended cognition

 
MacKisack, M. (2019) ’Aphantasic Artists: Extended Imagining?’, The Junkyard  

On the history of imagining

On the deep history of visual and verbal imagery

On aphantasic imagining and extended cognition

 
MacKisack, M., Onians, J., Macpherson, F., Winlove, C., Zeman, A. (2016) ‘On Picturing a Candle: the Prehistory of Imagery Science’, Frontiers in Psychology. 7:515.   

On Solaris and translation between media

On the art and science of flicker-induced imagery

On the art and science of flicker-induced imagery


 MacKisack, M. (2014) ‘An Afterlife’, Undercurrents, v.1, no.3   


On the art and science of flicker-induced imagery

On the art and science of flicker-induced imagery

On the art and science of flicker-induced imagery

 
Mackisack, M., Reeder, R. (2022) ‘Manipulating light can induce psychedelic experiences – and scientists aren’t quite sure why’   

editing

 Cao, Y., Onians J., MacKisack, M., Penny, N. (eds) Global Culture after Gombrich: Art, Mind, World. (forthoming 2024) Intellect Ltd  

 MacKisack, M., Aldworth, S. (eds.) (2018) Extreme Imagination – inside the mind’s eye. Exeter: Eye’s Mind Publications. 

 Zeman, A., Onians, J., MacKisack, M. (2018) ‘The Eye’s Mind – visual imagination, neuroscience and the humanities’. Cortex special issue. Volume 105  

curating

Ganzflicker (curated with Reshanne Reeder) part of Being Human Festival, 10-19th November 2022, The Atkinson, Southport, UK 

Extreme Imagination – inside the mind’s eye (curated exhibition, with Susan Aldworth), 2019, Royal Albert Memorial Museum, Exeter, and Tramway, Glasgow (AHRC-funded)  

 Radiophonie: Medium as Metaphor (solo exhibition, curatorial project), 2014, KARST, Plymouth  

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